Little man, the bat cat, sitting on a flat mat. With your vacant stare. Head is filled with air.
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"I used to love your wife," it says. Why my wife, not your own? Why "used to love" in the past tense? What made you leave alone? And just my wife, or everyone's? How many are the "you"s? Or is it meant in reflection? Like, is that "you" you too?
79
My childhood sometimes feels lost, hidden behind windowless walls but the right signals can defrost that frozen time when I was small. Old friend of mine (maybe he's still?) from childhood writes poetry. He doesn't rhyme his lines. By will, he pours his heart out differently. He writes of longing, sadness, blackness, things I've never known about. I only know of our shared moments, most with pleasure, one without. I carry one stain, heavy-stomached, hoping he's forgotten it, praying that his mind's eye looks right past a child's angry fit. But all the rest, though I've forgotten most of them, I feel were joys, with sunlight streaming down upon two young super-heroic boys. The words that wake me are the ones that take me back a thousand years, when video games had no saves and TV sets had rabbit ears. Sometimes he writes of childhood, his childhood, not mine, and there a flash of old cartoons makes knots of memory unwind.
I have this memory, the barest memory, of sitting on the floor. We're facing a Nintendo screen, our backs turned toward your bedroom door. The game I came to see, remembered hazily, I know was called Pro Wrestling because I've looked it up. With Star Man, Panther, Kin Corn Karn, King Slender, Puma, Amazon, and Fighter Hayabusa too, all in a square ring colored blue, at character selection you would take Star Man, then savagely backflip the stuffing out of me until the pixel referee would pound the mat and count to three and say my guy had had enough. And though my memory's a stew and barely holds, like wet tissue, and I don't know what things are true or if I really was with you, there's also distinct residue (but in a good way, for the rhyme) of both your mom and bro Rabu, just blurs, erased by passing time. And somewhere else inside my brain's a fuzzy flash of drinking milk and marveling at its new flavor, never having had its ilk. It's like my inner wrestler had never tasted regular. (We drank Lactaid. I don't know why that was the milk my mom would buy.) I wonder if the novelty is why I keep this memory. But I think that drink converted me. Lactaid now tastes too sugary.
78
Strung eyes gaze lazily at the trash-lined street through Hall-o'ed month known best for treats and fright. Their plum lights blaze hazily on passing feet when darkness blooms and daylight fades to night. These spooky, staring, silent spheres that watch and wait as walkers wend spy strident steppers strolling near and hope to lure them to their end.
77
It strikes me that I've learned of plants much more by writing poems than I've done the whole rest of my life from childhood to grown-ass man. This poem project's practice puts priority on pretty things and nature packs prismatic punch on purple passionflower wings. From figgy fruits to tiny treelets, watch the wondrous world reveal its plumage, pink, yellow, and green, (like watermelon tourmaline!) and red, and orange, brown, and blue, and every other herbal hue I see while walking down the street. The neighbor's flowers sure are neat. And when out of the corner of my eye I glimpse a novelty, a prickly puff, a spray of stars, a bottle brush, a truant tree, I dig through wikipedia to rhyme with scientific care and find some facts about our surveyed specimen's specific flair.
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These poems are Avi's diary. You can email him at avi@invariablyhappy.com